5- number of Grace
and especially when the song I'm writing to is Jesus loves me. haha
Feel the anointing mans...
Life here we go, with Jesus behind me, there's nothing that's gna take me down!
Saturday, November 20, 2010
Wednesday, November 3, 2010
Just the way I am
When I see your face
There's not a thing that I won't change
Cause you're amazing
Every way you are
And when you smile,
My whole world stops and melts in awhile
Cause 'J' you're amazing
Every way you are
Then it struck me. He's also singing it to me.
When I see your face
There's not a thing that I haven't changed
Cause now you're amazing
Just the way you are
Now when you smile,
The whole world stops and stares for awhile
Cause Joel you're amazing
Just the way you are
(: I feel so loved now XD
There's not a thing that I won't change
Cause you're amazing
Every way you are
And when you smile,
My whole world stops and melts in awhile
Cause 'J' you're amazing
Every way you are
Then it struck me. He's also singing it to me.
When I see your face
There's not a thing that I haven't changed
Cause now you're amazing
Just the way you are
Now when you smile,
The whole world stops and stares for awhile
Cause Joel you're amazing
Just the way you are
(: I feel so loved now XD
Monday, November 1, 2010
The song Dare you to move has quite an interesting play of syncopation. It makes you feel as if the music is in compound meter.
so in 4/2 It would look like that
however,in 4/4 it would be something different altogether. well, on the surface, not so much you're just adding bar lines.
however, if you look at the text, ahh.. now there's a difference.
Now when we look at this intro and 1st verse with text, it becomes a little clearer now.
Here, in the 1st stanza of the verse, we have an asymmetrical period that is interestingly
Which doesn't look very 'correct' in terms of the harmonic progression until you realise it's actually just a whole Tonic expansion
when you look at the BIG picture of the 1st verse, you then see
an interesting feature is the difference in bar 17 and 29. bar 17 uses F#m which is ii 7 while bar 29 uses Em which is i 6.
Tonicization? More like chromatic decoration I would suppose.
I'll post more soon. Haha
'cos I need to analyse other stuff 1st -.-'''
oh yes and write some 4th Species counterpoint. HAIZ...
so in 4/2 It would look like that
however,in 4/4 it would be something different altogether. well, on the surface, not so much you're just adding bar lines.
however, if you look at the text, ahh.. now there's a difference.
Now when we look at this intro and 1st verse with text, it becomes a little clearer now.
Here, in the 1st stanza of the verse, we have an asymmetrical period that is interestingly
Which doesn't look very 'correct' in terms of the harmonic progression until you realise it's actually just a whole Tonic expansion
when you look at the BIG picture of the 1st verse, you then see
an interesting feature is the difference in bar 17 and 29. bar 17 uses F#m which is ii 7 while bar 29 uses Em which is i 6.
Tonicization? More like chromatic decoration I would suppose.
I'll post more soon. Haha
'cos I need to analyse other stuff 1st -.-'''
oh yes and write some 4th Species counterpoint. HAIZ...
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